During the Blaxploitation era, soundtracks were often more important than the movies they accompanied: Though 'Shaft' remains a classic portrait of black empowerment, it’s inseparable from Isaac Hayes’ theme song, and more people have heard Curtis Mayfield’s 'Pusherman' and 'Superfly' than ever saw the movie for which they were created
Quite frankly as misguided and problematic as the forlorn romanticism of Kenneth Branagh’s 1994 adaptation, not to mention as ridiculously self-serious, Stuart Beattie’s ‘I, Frankenstein’ isn’t even campy enough to be fun. Cut from the mold of the films in the ‘Underworld’ series, Beattie’s film similarly eschews the natural intrigue of the original mythology to pump it full of steroids and Hot Topic-style cool, adding an epic, age-old conflict between no less than angels (well, gargoyles) and demons for Frankenstein’s monster to be caught between – all of which showcases an excess of thought, and yet a shocking lack of brains.
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